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Beskrivelse
- 1" CMOS Sensor with Dual-Pixel AF
- Capture up to UHD 4K30 / 1080p60 Video
- HDMI, 3G-SDI & IP Video Output
- Built-In NDI|HX Support, 15x Zoom, PoE+
- Built-In ND Filters: 1/4, 1/16, 1/64
- Genlock, Dual XLR & 3.5 Audio Input
- Canon DIG!C DV6 Processor, 1.5 Lux
- IP, RS-422, IR, and Wi-Fi Control
- Works with Canon Control Software
- Compatible with Canon PTZ Controller
If you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew, and you need more accurate camera-matching than a traditional PTZ camera.
the satin black CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom from Canon will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production.

The CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that postproduction camera matching and color correction is made easy.
The CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR / 3.5mm microphone input, and video recording up to UHD 4K.

The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1/4, 1/16, and 1/64 options.
Where the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second.

Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP/RTMP/RTSP streaming output.
The camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling.
The camera supports wide dynamic range, minimum brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 25.5 to 382.5mm.
The camera can utilize an external controller via RS-422 or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller.
Or if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.

The 1" sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon's DPAF tracks and keeps subjects in sharp focus.


Log shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions.
Shooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.
The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N500 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.

At a video production or broadcasting site, an operator can select a camera from the videos displayed on the "Connected Camera List", within the application and operate it from the "Camera Control Area" in the control panel of the software.
| Image Sensor | 1"-type CMOS |
| Sensor Resolution | Actual: 13.4 MP · Effective: 8.29 MP (3840 × 2160) |
| Shutter Speed | 1/2000 to 1/3 sec |
| ISO / Gain | 6–33 dB |
| Minimum Illumination | 1.5 lux at 1/30 sec |
| IR Cut Filter | No |
| Focus Control | Autofocus · Manual |
| Flip / Mirror | Image flip · Vertical mirror |
| White Balance | 2000–15,000K · AWB / Manual / Set A / Set B |
| Focal Length | 8.3–124.5 mm (35mm equiv.: 25.5–382.5 mm) |
| Optical Zoom | 15× |
| Digital Zoom | 20× |
| Field of View | H: 73–5.7° · V: 45.2–3.2° |
| Maximum Aperture | f/2.8 – f/4.5 |
| Minimum Focus Distance | 1 cm (wide) · 60 cm (tele) |
| Video Output (RJ45) | 4:2:0 8-bit · Up to 3840×2160 @ 29.97p |
| Video Output (HDMI) | 4:2:2 10-bit · Up to 3840×2160 @ 29.97p |
| Video Output (SDI) | 4:2:2 10-bit · Up to 1080p @ 59.94 |
| Embedded Audio | SDI |
| Broadcast Output | NTSC / PAL |
| IP Streaming | H.264 / H.265 via NDI HX, RTMP, RTMPS, RTP, RTSP, SRT |
| Multi-Stream Support | 4K & HD simultaneous streaming |
| Presets | 100 via IP & VISCA |
| Pan / Tilt | Pan: 340° · Tilt: 130° |
| Tally Light | Yes |
| Wireless | IR |
| Video I/O | 3G-SDI · HDMI · RJ45 (NDI) |
| Audio I/O | 2× XLR · 3.5 mm mic input |
| Other I/O | RS-422/VISCA · USB-A · Genlock |
| Memory Slot | microSD |
| Built-In Microphone | No |
| Built-In Speaker | No |
| PoE Support | PoE+ (802.3at) |
| Power Input | 24 VDC barrel |
| Power Consumption | PoE: 19.6 W · Adapter: 18.6 W |
| Operating Conditions | 0–40 °C · 10–90% humidity |
| Storage Conditions | 0–40 °C · 10–90% humidity |
| OS Compatibility | macOS 11+ · Windows 10+ · iOS / Android |
| Mounting | 1/4"-20 tripod thread |
| Dimensions | 19.99 × 26.9 × 20.8 cm |
| Weight | 4.1 kg (body only) |
| Package Weight | 15.5 lb |
| Box Dimensions | 18.4 × 14.7 × 14.4 inch |
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