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Beskrivelse
- Micro Four Thirds Lens Mount
- Capture up to UHD 4K 3840 x 2160p60
- Live Streaming
- 12G-SDI, HDMI & 10G Ethernet Video I/O
- Affordable Single-Cable PoE Workflow
- 7" High-Brightness HDR Touchscreen LCD
- Record to External USB Type-C Disks
- Records Blackmagic Raw, Up to 25,600 ISO
- 12G-SDI, HDMI & 10G Ethernet Video I/O
- XLR & 3.5mm Audio Input, Built-In Mics
Blackmagic Design Studio Camera 4K Pro G2 Overview
The Ethernet connection enables you to set up a SMPTE-style workflow using a more affordable single-cable setup with PoE (power over ethernet) and the 12G-SDI output and program return provides camera control, talkback, and tally functions.
This latest 4K Pro model retains features like a 7" touchscreen monitor, HDMI output, Blackmagic Raw recording, HDR support, XLR audio, and Micro Four Thirds lens mount from its predecessor.
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Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design.
The camera is designed for live production, so it's easy to track and frame shots with its large 7" viewfinder.
Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking.
The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.
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Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports.
The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.
You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.
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Plus, when combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras.
The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 4K Pro G2 camera has darker blacks and brighter whites, perfect for color correction.
The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.
The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments.
The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.
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Photographic lenses have incredible quality because they're designed for use in high-resolution photography.
Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera.
This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.
The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom.
Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus.
The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.
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The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight.
On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look.
The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.
That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time.
The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets.
Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.
The Blackmagic Studio Camera 4K Pro G2 has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera output video, and one for program return.
The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.
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The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away.
The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers.
This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.
It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro G2 model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost.
The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power.
The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.
Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction.
That means you can just move the disk to a computer to work, and you don't need to waste time with file copying.
You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.
Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve.
Plus, the files are small and fast, so editing responsiveness is incredible.
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The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera.
There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 4K Pro G2 model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.
Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait.
This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.
The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD.
The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them.
This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.
When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.
The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection.
The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.
In the Box
- Blackmagic Design Studio Camera 4K Pro G2
- Sun Hood
- Turret Dust Cap
- Universal Power Supply with International Socket Adapters
- 15mm LWS Tripod Mount
- Tally Decal Set
- DaVinci Resolve 18 Free Download
- Limited 1-Year Manufacturer Warranty
Blackmagic Design Studio Camera 4K Pro G2 Specs
Image Sensor |
17.78 x 10 mm (Four Thirds) CMOS
|
Sensor Resolution |
Not Specified by Manufacturer
|
ISO Sensitivity |
100 to 25,600
|
Lens Mount |
Micro Four Thirds
|
Broadcast System Compatibility |
NTSC, PAL
|
Video I/O |
1x BNC (12G-SDI) Input
1x BNC (12G-SDI) Output 1x HDMI Output |
Audio I/O |
2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input on Camera Body
1x 1/8" / 3.5 mm TRS Stereo Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Input/Output 1x XLR 5-Pin Intercom Input/Output |
Raw Recording |
Blackmagic RAW 10-Bit
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94/60 fps [26 to 190 Mb/s] |
Display Type |
Fixed Touchscreen LCD
|
Power I/O |
1x XLR 4-Pin (12VDC) Input
1x Barrel (12VDC) Input |
Imaging
Image Sensor |
17.78 x 10 mm (Four Thirds) CMOS
|
Sensor Resolution |
Not Specified by Manufacturer
|
ISO Sensitivity |
100 to 25,600
|
Gain |
0 to 18 dB
|
Sensitivity |
f/11 at 2000 lux 89.9% Reflectance (UHD 4K60)
f/12 at 2000 lux 89.9% Reflectance (UHD 4K60) |
Signal-to-Noise Ratio |
63 dB
|
Camera
Lens Mount |
Micro Four Thirds
|
Shutter Speed |
1/5000 to 1/24 Second
|
Built-In ND Filter |
No
|
Built-In Microphone |
Stereo
|
Broadcast System Compatibility |
NTSC, PAL
|
Interfaces
CCU I/O |
No
|
Video I/O |
1x BNC (12G-SDI) Input
1x BNC (12G-SDI) Output 1x HDMI Output |
Audio I/O |
2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input on Camera Body
1x 1/8" / 3.5 mm TRS Stereo Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Input/Output 1x XLR 5-Pin Intercom Input/Output |
Other I/O |
1x RJ45 (10 Gigabit Ethernet) Control/Data/Monitor/Video Input/Output
2x USB-C (USB 3.2 / 3.1 Gen 1) Data/Video Input/Output |
Recording
Raw Recording |
Blackmagic RAW 10-Bit
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94/60 fps [26 to 190 Mb/s] |
Audio Recording |
ProRes: 2-Channel 24-Bit 48 kHz LPCM Audio
|
Display
Display Type |
Fixed Touchscreen LCD
|
Display Size |
7"
|
Resolution |
1920 x 1200
|
Power
Power I/O |
1x XLR 4-Pin (12VDC) Input
1x Barrel (12VDC) Input |
Power Consumption |
46 W
|
Environmental
Operating Temperature |
32 to 72°F / 0 to 40°C
|
Storage Temperature |
-4 to 113°F / -20 to 45°C
|
Operating Humidity |
0 to 90%
|
General
Accessory Mounting Thread |
2x 1/4"-20
|
Tripod Mount |
3/8"-16 Female
|
Dimensions (W x H x D) |
10.77 x 6.68 x 6.59" / 27.36 x 16.97 x 16.74 cm (Without Protrusions)
|
Weight |
3.71 lb / 1.68 kg
|
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