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ETERNATM
Legacy Reimagined for a New Era
ETERNA – a name that means ‘eternal’.
What once lived on celluloid now returns in the digital age.
The soul of cinema. The passage of time. Colors that stir emotion.
Introducing a new kind of filmmaking camera – crafted to reflect the creator’s eye and heart.
Infused with the depth of Fujifilm’s enduring wisdom, it’s built to create stories that stand the test of time.
The Large Format Sensor
FUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor
At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame.
Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.
Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.
Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise.
Skin tones are recorded with delicate precision, preserving their natural feel.
GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.
Anamorphic Ready
The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.
Recording Codecs
Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.
Custom Frame Guides
Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom.
Customizable functions include 1-100% scaling, four line widths, and five color options.
FUJIFILM G and ARRI PL Mounts
The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings.
The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.
Variable ND Filter
The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks.
This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.
Low-Pass Filter
New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.
20 Film Simulations
GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.
- PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
- PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
- ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter
- Black & White, Black & White + Ye Filter, + R Filter, + G Filter, Sepia
Cinematic Visuals
In addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.
- ETERNA, ETERNA BLEACH BYPASS, PROVIA/Standard
- Velvia/Vivid, ASTIA/Soft, REALA ACE
- Classic Chrome, Classic Neg., ACROS
Hot Swapping
An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.
5" Monitor and Dual 3" Displays
The GFX ETERNA 55 features dual built-in 3" touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C.
The GFX ETERNA 55's external 5" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.
Dedicated Top Handle
The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens.
This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.
Connectivity
Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more.
BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.
Expanded Audio Input
Compatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.
Additional Details
- Grab button for capturing still photos
- 2-pin LEMO output for powering accessories
- SDI, HDMI, genlock, USB-C, Ethernet, and remote connectors
- All connectors have durable caps to protect against dust and debris
- Microphone input and headphone output
Specs:
| Lens Mount | FUJIFILM G (with included ARRI PL adapter) |
| Lens Communication | Yes |
| Image Sensor | 43.8 × 33.9 mm Large Format CMOS |
| Sensor Resolution | 102 MP Effective |
| Image Stabilization | No |
| Shutter Type | Electronic Rolling Shutter |
| Shutter Speed | 1/8000 to 1/8 sec |
| Shutter Angle | 5.6° to 360° |
| ND Filter | Built-in Electronic ND (2 to 7 stops) |
| ISO / Gain | Dual Base 800/3200; 400–12,800 native, 100–25,600 extended |
| Dynamic Range | 14 stops (advertised) |
| White Balance | 2000–11,000K (Auto & Custom) |
| Focus Modes | AF / MF |
| AF Sensitivity | -2 to +1 EV |
| Internal Codecs | H.265 ALL-Intra / Long GOP ProRes 422 / 422 HQ / 422 LT MOV / XF-HEVC S Long GOP |
| Internal Resolutions | 8K: 8192×4320 up to 29.97p 8K (alt): 7680×4320 up to 29.97p 6K: 6382×3590 / 5824×2436 5K: 5440×2868 / 4776×2688 / 4664×3380 4K & DCI 4K: up to 59.94p 1080p: up to 59.94p Bitrates: 50–720 Mb/s (ALL-I), 50–200 Mb/s (Long GOP) |
| Video Output – SDI | 12G-SDI 3840×2880 / 4096×2160 / 2048×1080 / 1920×1080 Up to 59.94 fps |
| Video Output – HDMI | 4:2:2 10-bit 8K, 6K, 5K, 4K, 1080 (various framerates) |
| Gamma Profiles | F-Log2, F-Log2 C |
| Slow / Fast Motion | Yes |
| Media Slots | 1× SD/SDHC/SDXC (UHS-II, up to 2 TB) 1× CFexpress Type B (up to 2 TB) |
| Audio Recording | 2-Channel 24-bit 48 kHz (LPCM) MOV container |
| Audio I/O | 1× 3.5 mm TRRS (Headphone/Mic) 1× 3.5 mm TRS Stereo Input |
| Video I/O | 1× 12G-SDI (BNC) 1× HDMI 2.1 |
| Power I/O | LEMO 4-pin Input LEMO 2-pin Output |
| Other I/O | 2.5 mm Remote BNC Timecode I/O BNC Genlock 12-pin Lens Control RJ45 Ethernet |
| Wireless | Wi-Fi (a/b/g), Bluetooth LE |
| Monitors | Primary: 5" Touchscreen (1920×1080) Secondary: 3" Touchscreen (720×480) |
| Battery Options | NP-W235 or V-Mount |
| Power Consumption | 21 W |
| Operating Range | -10 to 40°C, 10–80% RH |
| Tripod Mounts | 2× 1/4"-20 3× 3/8"-16 |
| Accessory Threads | Handle: 4× 1/4"-20, 9× 3/8"-16 (Anti-Twist) Body: 6× 1/4"-20, 12× 3/8"-16 (Anti-Twist) |
| Hot Shoe | Intelligent Hot Shoe (on handle) |
| Dimensions | 110.8 × 138.2 × 176.8 mm |
| Weight | 2 kg (Body Only) |